What will remain?

Outside the forum, there is a small area marked "dance floor".

Outside the forum, there is a small area marked “dance floor”.

When I proceeded to the exit of the train in Hamburg, a young lady before me got off as well. She was talking to someone on the phone and, upon stepping onto the Hamburg platform, exclaimed: “Dude, no more Düsseldorf ever! Or Frankfurt! I am staying in the North, digga!” Well, that’s a statement. And while I can’t but agree that it is a wonderful sight when the train rolls into Hamburg, I tend to think that it is rather un-cosmopolitan to limit oneself to one place only. Even if that place happens to be the best one in the country. Of course it would be a lie to say that I do not entertain longing thoughts of homesickness but I remind myself of my other friends who have left Hamburg for professional reasons (you know who you are, you brave and pioneering spirits). They do manage a good life away from The Free and Hanseatic City and thus serve as my examples.

007

Yesterday, I seized the opportunity to take advantage of something Dizzel offers: an exhibition that was open until late on that Friday. I had the pleasure of having Henrike visiting me and we went to see “Was bleibt? Das Prinzip Apfelbaum” in the NRW-Forum. That forum is a place that looks like a prime example of Nazi architecture from the outside (or at least what I, the architecural amateur, imagine to be Nazi style) and is surprisingly lovely on the inside. The exhibition is a joint project by several charities that try to raise awareness for the idea of bequeathing an organisation of your choice in your will. A renowed photographer, Bettina Flitner, met eleven famous Germans and asked them, “What will remain?” It was very interesting to see how different a scientist, an actor, a bishop, an astronaut answered this question. Even though most of them were thought-provoking, I liked Anne-Sophie Mutter, the famous violinist, best who said that she believed the meaning of life to be “the radiation of one’s soul and being permeable for other souls”.

"This is not a work of art" it says above this. In a modern art museum, you never know. Not even now when it says that above it: it might be a Magritte-copy!

“This is not a work of art” it says above this. In a modern art museum, you never know. Not even now when it says that above it: it might be a Magritte-copy!

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